Pangea Project
72 Stamford Hill, London, N16 6XS
Nearest rail: Stoke Newington
Pangea Project
72 Stamford Hill, London, N16 6XS
Nearest rail: Stoke Newington
Posted by Lucy Allin on May 28, 2010 at 01:42 PM in Books, Cirxus, Dead Language, FoolishPeople News, Theatre of Manifestation, Weaponized | Permalink | Comments (0) | TrackBack (0)
Today, FoolishPeople announced the creation of Weaponized, an imprint that extends the immersive art of FoolishPeople into the realm of publishing.
“FoolishPeople have a long and strong history in collaborative ventures using open source practices, we plan on using all of our unique skills in the creation of a publishing venture like no other,” said John Harrigan, FoolishPeople's artistic director. “Our mission beyond our own creations and collaborations is to seek out and disseminate experimental forms of fiction, prose and art that offer new ways to experience stories and myths. We’re passionately committed to finding unique narrative hybrids that engage, inform, challenge and inspire our readers.”
Books released under the Weaponized imprint will be supported through additional content and media produced by FoolishPeople in the form of musical releases, podcasts, films, and live events that expand the stories that our authors create.
Weaponized launches in the UK and US in July 2010.
LAUNCH TITLES:
Cirxus by John Harrigan
1957- Seascale, the North of England. Cirxus; an old English circus lost in the shadows of the smoke stacks of Calder Hall, the world’s first commercial nuclear power station. Step into the world of Cirxus, explore its sideshows and meet extraordinary characters from the past and future.
Athalia the ballerina waits in the ring for Loudon the clown to return with directions to the Black Pool, the mythic site of the Home Sweet Home, the final show of the season. Join her as she begins a bizarre and wondrous search for Loudon through the irradiated secrets of Cirxus, where she must face the macabre atomic menagerie, haunted by circus animals and navigate her way through the maze of strange, hallucinogenic sideshows to the other side of time.
Immerse yourself in the world of Cirxus, where theatric arcana and atomic fallout irradiate the sawdust arenas of our inner worlds.
Cirxus is the first work to be published from FoolishPeople's back catalogue and is the first script of an immersive theatrical event to be published in the world.
Cirxus defies genre and form and offers a literary experience like no other. A combination of hallucinogenic novel and blueprint to a physical experience. Each copy includes concept art and an original score composed and performed by P. Emerson Williams, alongside additional content from the first run of Cirxus at the Arcola theatre in 2009.
The Sparky Show by Xanadu Xero
Meta-physics and mechanics in the nude, with sex and drugs.
An exploding dossier of words and photography of a doomed and perfect relationship, retrofitted with psilocybin. Love is a gun. Shove it up the crack of the Multiverse, demand what you want.
Xandu Xero is unable to understand the desire of the female species for romance over sensation.
A report from the trenches of love post culture, mid-life. Not your average empty-nest Mom.
There is no moving on.
Forum by Richard Webb
Richard Webb presents a spectral image of our culture and collective psyche via the reflective portal of an internet football forum. Documenting the exchanges between visitors of the site in 2001, this chronological record of a publicly anonymous debate on a sports website explores ideas of moral panic, vigilantism, moral projection and vendetta.
Webb's objective role in simply compiling and re-presenting the correspondence instigates debate on the value and status of ideas one may not agree with, whilst serving to mirror cultural discourse surrounding emotive subjects.
Dead Language by John Harrigan
Platoons of the latest replicas of Banksy roam the landscape, led by General Clone Banksy, a talentless nobody who once found a sample of Banksy DNA on an empty spray can. A rowdy gang of Tracey Emins wrestle half a dozen dazed Andy Warhols to the ground.
IT IS THE FUTURE AND ALL FORMS OF ART ARE FREE. Perfect replicas exist of every masterpiece ever created, artworks and ideas are stolen from the mind before they're even created.
Copyright or ownership is meaningless. Artists have realised that their own identity is the only thing they can own or control to spread their infamy, they recruit fans to become copies of themselves: FLESH-WORTH is all that matters.
One final piece of uncorrupted art remains, yet to be copied: a living story told by Neonate Muses and exploited by Mr Shine, the bastard child of the apocalypse.
Read Dead Language and watch the world die or don't and help it do so, CULTURE CORPSE walking. Arm yourselves with weaponised art to explore the notions of open-source myth. What are intellectual rights in a decomposing culture?
Featuring full archival material from FoolishPeople's performance run of Dead Language at the Institute of Contemporary Arts in 2007.
The Book of Hate by John Harrigan and P. Emerson Williams
The code to a soul. Cracked and deciphered.
A combination of Harrigan’s highly experimental, stream of consciousness prose and P. Emerson Williams hallucinatory art.
Explorers at the outer edges of art. Together, their expedition reaches new vistas of strange, as they voyage together through transcendental neurosis, over a surface of nightmare imaginings. Beyond the internal, beyond the dream, beyond heaven and hell to the other side of human.
NOTES TO EDITORS:
ABOUT FOOLISHPEOPLE
FoolishPeople's working practice, Theatre of Manifestation combines mythology, shamanism, drama therapy and open source collaboration to create immersive experiences that have the power to raise a numinous experience within the audience. It dismantles the notion of the spectator being a passive recipient of a theatrical experience; active engagement and participation is vital and absolutely necessary.
FoolishPeople have produced original work in London, USA, Amsterdam and Prague at venues including the Institute of Contemporary Arts, Arcola Theatre and the Horse Hospital. Our core collective features five artists from England, America and the Czech Republic, which grows when we undertake new collaborations with worldwide artists in the development of our open source projects.
WEAPONIZED
The Weaponized management team consists of P. Emerson Williams, Lucy Harrigan and John Harrigan.
For further information please visit www.foolishpeople.org or email enquiries@weaponized.net
enquiriesPosted by John Harrigan on May 26, 2010 at 02:43 PM in Books, Cirxus, Dead Language, FoolishPeople News, Magick, Mythology, Science Fiction, Sex, Shamanic, Theatre of Manifestation, Weaponised Art, Weaponized | Permalink | Comments (0) | TrackBack (0)
FoolishPeople's Warhol propaganda from 'Dead Language'
Graphics by Mark Butcher
In an artistic case of which came first- the chicken or the egg, artist Yason Banal is recruiting Andy Warhol lookalikes in an artwork that bares striking resemblance to the plot of FoolishPeople's Dead Language, performed at the ICA in October 2007.Dead Language imagines a Future where all forms of art are free, perfect replicas exist of every masterpiece ever created, copyright and ownership and meaningless, ideas are cheap and replicated ad infinitum. The only way for artists to protect their worth is by recruiting members of the public who are willing to lose their own identities to become a copy of the artist to spread Weaponised Art, forcing consumption upon a bloated society, sick from every idea, cheaply imagined and replicated.
The artist has become terrorist and soldier, surviving by raising the core flesh worth of their art. A rowdy gang of Tracey Emins wrestle half a dozen Andy Warhols to the ground. Platoons of replicas of Banksy raid the landscape, led by General Clone Banksy, a talentless nobody who once found a sample of Banksy DNA on an empty spray can.
The script of Dead Language is due to be released later this year.
Mr. Shine takes a red handkerchief from his pocket and holds it up, before dropping it to the floor. Warhol and Emin pull the lever and the curtain falls to reveal two cages that each hold about twenty people. In one cage replicas of Andy Warhol play with their hair, whilst taking photographs and trying to ignore the horrendous insults coming from the other cage. In the other, twenty Tracey Emin clones clutch the bars tearing at their clothes, showing the Warhols their tits and screaming they will never be man enough to fuck all twenty of her.
The doors open on the cages and the two tribes rush at each other. The Warhols are surprisingly nimble as they dart from the cage and run effeminately at the Emins. Effeminacy is irrelevant in Art War.
The Warhols are no match for the Emins, Tracey gouges eyes, tears testicles from between the loose and soft flesh of old thighs. The Emin's are imaginative and kill almost every Warhol standing in the most terrible manner, Genghis Khan went to Central St Martins. Pop Art’s first son is defeated. All that remains of his cult is one copy. He holds an Emin by the hair; dead and limp. The Emins close in around him.
Excerpt from 'Dead Language' written by John Harrigan
© John Harrigan All Rights Reserved 2007-2010
FoolishPeople's Warhols in Dead Language at the ICA
Photography by Brian Jones
Yason Banal's Warhol at the Copystand at Frieze Art Fair
Baby Banksy in Dead Language at the ICA
Photography by Brian Jones
Posted by Lucy Harrigan on May 05, 2010 at 08:25 PM in Arts, Books, Culture & Media, Dead Language, FoolishPeople News, Live Art, Magick, Mythology, News, Weaponised Art | Permalink | Comments (1) | TrackBack (0)
Posted by P. Emerson Williams on February 13, 2010 at 03:33 PM in A Red Threatening Sky, Arts, Books, Theatre | Permalink | Comments (0) | TrackBack (0)
I am also beginning several interviews for the anthology with artists that I feel do work that is mythic, touches on myth, etc. Right now these include Laurie Lipton, John Harrigan, David Mack, and several others. I have decided that I will be running these on Alterati when they are finished so you can get some sneak peeks.
James Curcio with an update on his Immanence of Myth Anthology.
Posted by John Harrigan on December 03, 2009 at 03:58 AM in Acquaintances & Friends, Books, Mythology | Permalink | Comments (0) | TrackBack (0)
GSpot- Falcon, Falcon, Burning Bright?
Joseph Matheny talks to Nick Thacher and Linda Miller about Falcon Press and why there appears to be two Falcon's selling virtually the same catalogs since the death of Dr. Hyatt. Also in this episode:
A new In Your Ear with Psuke, and a special bonus track at the end: James Curcio presents the first installment of the Join My Cult audiobook, and releases Join My Cult as a Creative Commons PDF that you may download at Original Falcon. Also, as a side note, we were contacted after this show was recorded by an organization calling itself the New EII. Keep an eye open for an interview with them in the future.
Keywords: Robert Anton Wilson, Timothy Leary, Christopher Hyatt, Alan Miller, Falcon Press, Aleister Crowley, Antero Ali, Israel Regardie, Golden Dawn, Nick Tharcher, Linda Miller, Original Falcon, New Falcon, Joseph Matheny, James Curcio, Join My Cult
Posted by jmatheny on May 01, 2009 at 06:39 PM in Books | Permalink | Comments (0) | TrackBack (0)
Posted by John Harrigan on February 12, 2009 at 10:49 AM in Books, Technology | Permalink | Comments (0) | TrackBack (0)
"A good story cannot be devised; it has to be distilled. I always regard the first draft as raw material. What seems to be alive in it is what belongs in the story."
Raymond Chandler
Posted by John Harrigan on February 09, 2009 at 02:02 PM in Arts, Books | Permalink | Comments (0) | TrackBack (0)
Technorati Tags: Books, Detective Fiction, Raymond Chandler, Writing
Below are two images taken from today’s testing.; These images were obtained from a Frankenstein like device built by Julia and Elise with equipment on loan or otherwise creatively obtained via our nameless benefactor back east. The machine is beyond my depth but essentially it is an imaging device that takes advantage of the technology present in a four-dimensional volume-holographic microscope, and the kind of ultrasound equipment that produces 4D scans and marries them with more esoteric technology.
(Julia’s note: the measurements seen in these images are not nearly are derived from a model based on various biofeedback readings taken from Samm over the years. They are useful to our research despite their large margin of error, but are otherwise arbitrary symbol sets.)
Object 144:12 is the both the first and so far only object produced by linking the Newcomen II to the Large Hadron Collider. The object is also the first to be created with specifically offensive capabilities in mind. We are pursuing a number of applications in this vein. The pictures below demonstrate the first phase in our attempts to create a hyperdimensional suit. The first mage shows the coalescing of kairotic energy around the test subject (that would be me, Samm). The second image seems capture the formation of a head piece resembling a 3D projection of a tesseract. Ultimately the suit will need to be seamless and have to grow on its host for it to be effacious. Further details (including the capabilities of the suit) will be made public once Cell 144 takes this project out of its final testing phase and looks to distribute suits to interested parties.
(Elise’s note: Testing is expected to be complete by the end of next month. We’ll be making a total of twelve suits available to interested parties. Interested parties may leave their contact info here; otherwise feel free to contact any one of us through the contact info provided at flowerofkairos.com)

Image 1: Kairotic energy accumulates around Samm

Image 2: Early attempt at creating a T12 Hyperdimensional Suit
Posted by Samm Hain on February 06, 2009 at 11:31 AM in Arts, Books, Mythology | Permalink | Comments (0) | TrackBack (0)

Posted by Samm Hain on February 01, 2009 at 01:53 PM in Arts, Books, Mythology | Permalink | Comments (1) | TrackBack (0)
The Cirxus soundtrack, comprised of sounds created for the production of the same name is a sonic and psionic evocation. This physical, vibrational and virtual artifact is a highly charged object which FoolishPeople utilised to bring the darkness of an atomic circus to life. The aural images and gradations and movements between frequencies were chosen and enhanced to plunge the listener into the Black Pool. Upon repeated listens and reflection, the listener is the finally pulled out.
Immerse yourself in the world of Cirxus, where theatric arcana and Atomic fallout irradiate the sawdust arenas of our inner worlds.
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